Reloop RHP-10 Mono: The One-Ear “Lollipop” Headphone for DJs

Reloop RHP-10 Mono: The One-Ear “Lollipop” Headphone for DJs

If you’ve ever looked at stick or “lollipop” style one-ear headphones and wondered whether they’re more novelty than function, the Reloop RHP-10 Mono is making a stronger case. Released in both classic black and a bold neon edition, this headphone brings something different to the table—especially for DJs who want speed, clarity, and convenience in cueing. (via Reloop site)

Design & Build: Lightweight, Ergonomic, and Purposeful

One of the most striking things about the RHP-10 Mono is its minimal footprint. Instead of a full headphone, you get a single ear cup mounted on a padded handle. The ear cup swivels, and the pad is water-resistant vegan leather—a thoughtful touch for long nights in sweaty booths. (Reloop)

The connection is robust: an XLR lockable connector, paired with a coiled cable (1.3 to 2.8 meters) and a 90° angle adapter. Everything is built for live use, avoiding cable tangles or loose connections during high-pressure sets. (MusicTech)

Inside, there’s a 50 mm neodymium driver tuned for “kick-bass emphasis,” meaning the lows punch hard enough to cut through club noise even when you’re monitoring with one ear. (MusicTech)

Audio & Performance: What to Expect in the Booth

Reviews and early impressions suggest the RHP-10 Mono handles midrange and highs cleanly, with solid output even in loud environments. The SPL rating of 109 dB gives it the headroom DJs need when competing with booming monitors. (AVMaxx, MusicTech)

In tests, it’s capable of detailed cueing—enough so that many DJs report being able to confidently set cue points, match beats, and preview transitions using just the one ear. (Digital DJ Tips)

However, like any one-ear design, it’s not perfect for every task. Bass response can suffer in tracks with dense low-end or heavy sub-bass, and when mixing, some nuances (especially in deep or layered tracks) are easier to miss. (DJ TechTools, user forums)

Pros & Trade-Offs: When It Works and When It Doesn’t

Strengths

• Speed & convenience: cue with one hand; no need to flip or reposition.

• Low bulk: lighter and less intrusive than full headphones.

• Built tough for live use: solid connection, ergonomic design, water-resistant parts.

• Visual style: the neon edition adds flair for those who like gear that stands out.

Things to Watch

• Limited stereo referencing: since you only hear one channel, stereo imaging is less reliable.

• Bass sensitivity: busy low-end tracks may lose definition in cueing.

• Familiarization curve: not all DJs are used to one-ear monitoring; adapting takes time.

Reddit threads echo mixed experiences: one enthusiast said, “It makes the bass response a bit more challenging to hear, but they’re fantastic for live mixing if you know how to mix off the highs.” (r/DJs)

Who Should Try It (And Who Might Skip It)

If your DJ style leans toward fast transitions, minimal overwrites, or you often cue while keeping one ear in the room, the RHP-10 Mono is a compelling tool. It’s also great for setups where less gear is better or when you don’t want bulky headphones pressing on your head.

If, however, your sets rely heavily on low-end detail—DJing in bass-heavy genres or subtle deep house—pairing it with stereo monitoring or using it only for cueing may be smarter. You’ll want to fallback to a full pair when balance matters.

The Reloop RHP-10 Mono isn’t perfect—but as a one-ear monitoring tool, it’s one of the more deliberate and mature designs out there. For DJs who like to stay agile and minimalist in the booth, it offers a fresh alternative.

Sources

• Reloop (product specs, features)

• MusicTech (“Reloop’s RHP-10 Mono is a single-ear lollipop-style headphone”)

• Digital DJ Tips (“Reloop Goes Back To The Future With RHP-10 Mono”)

• DJ TechTools (“One-Ear Monitoring: Reloop’s RHP-10 Mono”)

• AVMaxx (spec details, SPL, etc.)